The two perforated plates have uniform
square apertures, ten feet by ten feet, which allows light and sight go through.
The apertures on one plate shift from the ones on another plate, so that the “wall”
has a solid elevation. The plates are coated with mirror paint on both sides
(or made by aluminum or stainless steel), and the exterior surface is designed with
concave panels. This mirror design creates an overlapping façade of projections
of views behind the both sides of the “wall”, as well as the views in its interval.
Instead of the original entrance,
the northeast origin of the “wall” becomes a new entrance of the Michigan
Union. Two pieces of plates constitute a long passage in the open green space,
surrounded with lots of trees. Because the trees are fragmented and reflected
on the mirror wall, it creates an illusion that the wall disappears in its
context, by mixing the green elements both in the mirror and in the real. The
square openings give an opportunity that people can walk across between the
mirrors, appearing and disappearing in the mirrors and real world.
This visional scene turns into a transformation
of the building façade and the green fragments, when the “wall” closely touches
the building corner. It cuts the entire building into two parts, precisely and illegibly.
It becomes a new façade of the building, and square apertures are filled with
glass curtain walls. From both sides, people can see each other in the window
or on the exterior mirror wall. The “wall” generates a connected separation, or
a detached connection in this gap.
At the point where the “wall” cross
the smaller courtyard, it absorbs the architectural elements from the courtyard,
which are a beautiful red brick façade and a spatial depth. The wall creates a
new façade with another cracked courtyard inside. The flatness of the wall
includes a three-dimensional information. The strategy of the overlapping
façade is either a compound of architectural elements or even an implication about
interdiscipline, mixed culture and containment of the university.
Finally, the “wall” leads people
to the biggest courtyard in the middle of the Michigan Union, which makes the
public facility truly public. The “wall” is a bond or a blood vessel to get
through the building form exterior to interior. Just like Professor Sandra
Manninger said, “a wall usually creates separation, but here the “wall” gather
everything together.”
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